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.



          It ended at the beginning, in a dismal

          Station with frozen chokes and nullifying

          Wheels. It began in gentle purblind chaos

          In misunderstanding. All best tempests do.



          It takes the merest moment to be branded.

          On a crowded chair submission felt like

          Gravity. Subtle brush-strokes wrought

          Searing irons for the strike: delicate, enough.



          It was not enough. Not even close. In close hours

          I was re-spun as you showed me new words

          From the careful space behind your thoughts.

          Motion seemed trespassing and sweet.



          That instant which cleaves us is circumstance;

          The invisible charnel of spires and channels.

          Profane circumstance, inclement and awesome. But

          If I was sabotage's packhorse, you bore its deliverance.



          Uncorroded and brilliantine but parcel-gilt,

          The ripping apart of nascent bonds chambers me

          And stays. Like cymbals and ciphers, like

          Messages and memories: Interiors -- and nothing more.




.
©2005-2009 ~LazyLinePainterJohn
:iconlazylinepainterjohn:

Author's Comments

This came easier (and, dare I say, better) than I'd expected. I'm still using and abusing this same recent form and style. This is about recent events and the flip side of getting to study abroad. "Spires and channels" is stolen directly from this poem's subject. All critique more than welcome.

Comments


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:iconskinslipper:
I've been trying to think of a sensible comment for this for days, but, lo, I have none...You use that phrase better than I did, and I love this despite myself.

R
:iconcathyg86:
I am so pleased to see that you are still writing poetry and very good poetry at that. I think that this style really suits you and I hope that there are a few more poems rattling away up there before you move on to something new.
all the best
cat.
:icondeva1983:
I simply don't understand -- Well, in that I don't mean that I just don't get it, just that the mechanics of it are either too subtle or too forced for me to grasp... You are not just a hack, are you?

I don't really think I could say much about your style before I understand it a bit better, altough I can't wait for the time I'll post something and get myself some critique by you -- I am not posting any of my work right now, since I don't have much time for the community and I wouldn't want to just dump it here.

Anyway, I have nothing to show and apparently nothing to offer, so I'll just :+fav: this for now.
:iconlazylinepainterjohn:
Ha, don't worry about your critique, any comment is always welcome. "Not just a hack" is actually one of the nicer compliments I think I've received lately. I hope the mechanics don't seem forced. All I'm trying to do is frame the phrases in as elegant a way as my limited skill allows. (This in practice mostly means choosing inappropriate adjectives.) Then I put them in neat blocks. And Bob's your uncle.

Thanks for the :+fav:.
:iconanarchypress:
This reads well, but it seems a little vague to me. Either that or I'm little thick.

Well-executed at any rate. I'll need to look at more of your work.

Nit: "Interiors—and" is the prefered dash, but there are other variations (x – x, x--x). Based on the precision of this piece, I figured you might appeciate that info.

~M

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[link]
:iconlazylinepainterjohn:
I doubt you're thick; Interiors is about as vague as I get without mixing together line breaks and unusual words at random and calling it something like "Meditations On The Nature Of Being". (If I ever do that I must be banned.) I'm guessing you looked at this one because it's my featured deviation; I think I've written better than this, but I like to rotate them. I'm flattered to have someone of your stature looking around my gallery at all.

And thanks for the punctuation advice. If this gets a re-edit, which it well might, I'll be sure to act on it.
:iconanarchypress:
What do you mean by my "stature"? That's the second or third time someone has said something like that to me in the past couple days. I'm not sure what that implies.

Why don't you send me a link to a poem you'd like me to look at...

~M

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[link]
:iconlazylinepainterjohn:
It means you're damn good. And it means I'd heard of you before you swung by. I figured you were one of those five-figure-pageviews types, actually (like that really means anything) but I'm sure you will be.

As regards a link: Grim Systems [link] is in a similar style, but probably objectively a better poem. (or if I can be cheeky and link to two) Little Perce [link] which is rather more fun.
:iconanarchypress:
Thank you. Does five figures make you cool? If so, at this rate, coolness is about 8 months away for me. I can hardly wait...

How did you hear of me?

I read the poems, and I didn't fair much better on "Grim Systems" than I did this one. (Sorry.) "Little Perce" was clever, but it wasn't really my cup of tea. Both pieces seemed well put together.

~M

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[link]

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July 2, 2005
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